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DreamTone7
Joined: 20 Sep 2002 Posts: 2571
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bbchris Princess Of Hongkong
Joined: 01 Jan 2002 Posts: 11441 Location: Hong Kong
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MIKE BURN Generally Crazy Guy
Joined: 08 Nov 2001 Posts: 4825 Location: Frankfurt / Europe
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bbchris Princess Of Hongkong
Joined: 01 Jan 2002 Posts: 11441 Location: Hong Kong
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DreamTone7
Joined: 20 Sep 2002 Posts: 2571
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Posted: Wed Oct 23, 2002 6:33 pm Post subject: Re: Guitar |
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It's the "going out of tune" that Mike is reffering to (calling it the "de-tuning" factor). It comes with all Strats that have tremelo systems. Some people do tighten it down pretty tight....the only problem being that you can no longer pull up on the tremelo any more.
Remember...Tone begins in the mind. |
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droolymutt No Underblurb
Joined: 25 Jul 2002 Posts: 6721 Location: Montreal, Canada
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Posted: Wed Oct 23, 2002 6:55 pm Post subject: Re: Guitar |
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I have all the springs super tight on mine - which works fine because I prefer a subtle touch on the whammy bar. I always push - never pull, and it stays in tune fine.
My strings are .012 through .052, which I change weekly.
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bbchris Princess Of Hongkong
Joined: 01 Jan 2002 Posts: 11441 Location: Hong Kong
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DreamTone7
Joined: 20 Sep 2002 Posts: 2571
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Posted: Sat Oct 26, 2002 1:51 pm Post subject: Re: Guitar |
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Hello again chris. I've used Elixers for acoustic. They have pluses and minuses (like most things in life). They have a thin coating of gortex on them that really prolongs string life. On the down side, they are not as bright as the D'Addario phosphur-bronze strings I now use. Phos-bronze lasts longer and is brighter than straight bronze, so it's somewhere in the middle.
For electric, it's GHS nickel-rockers. The bass strings are warmer.....based on the music of yours that I've heard, it's probably not your thing though.
If you really like yanking your bar (and use light strings), you might consider a Floyd-Rose locking tremelo system with the Hipshot Tremsetter I mentioned. As long as you stretch your strings before playing, they should rarely go out of tune.....you will always have some tuning problems with light strings unless you use a Floyd-Rose (or similar unit). Hey, it was good enough for Eddie Van Halen!....and he uses really light strings on the bass side. 10-38 I think his sets run. If you do install a Floyd-Rose, be aware that you will lose some of the bass in your tone, and it requires routing out your guitar. So, in other words, once you've gone there you can't go back!
As you've probably guessed by now, I'm a tech-head. I first noticed your posts at the Crossroads where I sometimes post. That's how I found this place!
....one good idea is to find a guitar with the things I've mentioned already installed and try it out. That way, if you don't like it you don't have to go there.
Remember...Tone begins in the mind. Edited by: DreamTone7 at: 10/26/02 3:30:24 pm
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droolymutt No Underblurb
Joined: 25 Jul 2002 Posts: 6721 Location: Montreal, Canada
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Posted: Sat Oct 26, 2002 2:30 pm Post subject: Re: Guitar |
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wow - you really know your stuff Dream!!!!!
I saw you're more into amps than guitars..
I recently bought a Roland Vga-5.. - 65w, 1x12"
Are you familiar with it?
What sold me on this amp is it's warmth and clarity, plus a Delicious chorus which I use lightly when I run my acoustic through it...
Speaking of which...
How can I best control feedback when running an acoustic through an amp? I do NOT want to sacrafice EQ...I know amp placement is critical. I have it beside me, facing slightly away, miked into the p.a.
I haven't tried a soundhole cover yet. Don't wanna stuff the puppy with foam, as I often play unplugged.
Sorry - don't wanna slam you with a lot of questions - I just perked when I noticed what a tech you are...
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DreamTone7
Joined: 20 Sep 2002 Posts: 2571
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Posted: Sat Oct 26, 2002 2:44 pm Post subject: Re: Guitar |
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That's cool drooley. Sometimes I'm more in the mood to spill my knowledge than other times. There's no way around the feedback problem that I know of. It's one of the reasons Gibson designed their 335 the way they did....with a block of wood running through the middle. I had an old ES-125T not too long ago. Very similar to the 335 (but without the block in the middle) and guess what......it had the same feedback problem you speak of! (I know these are electrics, but the problem is the same with an acoustic.) Your best bet is to try out different locations relative to the position of the amp. Off to the side (and as far away as possible), then move forward a little each time. Speakers do not radiate perfectly, and you will probably be able to find a spot that is more dead than others. Another way is EQing the feedback out.....find the frequency and just zap it down! Only problem is this usually ruins your tone. Third way is an iso-booth, but this is a studio thing that looks stupid on stage.
About your amp, I believe it is solid-state (most Rolands I know of are)......I'm more of a tube guy. If you like the solid-state thing, try and find a Roland Jazz-Chorus (2 x 12, 120 watts). They are one of the few solid-state amps I would consider using....fabulous clean sound; but they don't do the distortion thing well.
Any more questions, just drop me a note here.
Remember...Tone begins in the mind. |
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bbchris Princess Of Hongkong
Joined: 01 Jan 2002 Posts: 11441 Location: Hong Kong
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droolymutt No Underblurb
Joined: 25 Jul 2002 Posts: 6721 Location: Montreal, Canada
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Posted: Sun Oct 27, 2002 3:30 pm Post subject: Re: Guitar |
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Ditto, Dream..!!
You have a clear, concise way of conveying a lot of very useful info.
Very kind of you.!!!
Thanks again...
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